Category Archives: Music Video

A little tap will do you


I made this video in November of 2012 and set it aside. After the tragic events that took place in Boston, MA this month I decided to post it so it could bring some cheer back into our lives.

Enjoy the moment,

Leo
~~~
Music: Oscar Woods – Don’t Sell It Don’t Give It Away – In the Public Domain
Video and Film Clips:
Gregory Hines – Let the man dance
Bill “Bojangles” Robinson – Cafe Metropole, Deleted Scenes
Savion Glover – Live Performance, at ABC show
Bill “Bojangles” Robinson – Stormy Weather

Audio MIx & Special Effects: Leo Bar
Digital Art – Photography: Leo Bar

Aromas de Tango


Created a superimposed atmosphere of imagery and locales to highlight a very stylized tango dance and the accompanying music. All photos and imagery are from Buenos Aires and Montevideo and many represent traditional tango bars.

The group Bajofondo represents a new modality of music called neotango or electrotango. Some of their music is outstanding.

Music: Perfume – Bajofondo :: Remixed by Leo Bar

Special thanks to Paul Holman for the use of portions of his video Milonga de Milongas. See more of his videos at youtube.com/user/paulrholman

Pianoforte


The art of piano making and art paintings  Music: Dexter Britain :: http://www.dexterbritain.co.uk

Tango Euro Klez


Music: Tango Bar & Kiev Swing by Garry B :: https://vimeo.com/garryb; listen to his music :: http://soundcloud.com/garry-b
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– The migration of tango from Argentina and Uruguay to Western and Eastern Europe -
1900 – 1920 : Tangos were mainly sung and played by small instrumental bands (fundamentally trios and quartets), until “La Orquesta Tipica” arrives on the scene, with the incorporation of the bandoneo’n. In 1907, one of the very first genuine Argentine Tangueros to visit Paris (France) was composer Angel Villoldo, who wanted to do some recording. (At the time, Paris had the best recording facilities and techniques.) In 1918, writing lyrics for the tango became all the rage with singers such as the tragic Carlos Gardel and celebrated salon orchestras like Francisco Canaro‘s giving the music a new legitimacy and acceptance. Carlos Gardel is still revered today, many decades after his death.
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By 1912, dancers and musicians from Buenos Aires, traveled to Europe and the first European tango craze took place in Paris, soon followed by London, Berlin, and other capitals. Towards the end of 1913 it hit New York in the USA, and Finland.
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One of the most popular ballroom dances in Europe during the 1920′s and 30′s was unquestionably the tango. This explains why this music appeared later in ghettos and concentration camps. Following a boom in Western Europe, the tango reached the east by the late 1910′s. However, as opposed to countries like France and Germany, frequently visited by Argentine Orquestas Típicas, most Eastern European countries became acquainted with the tango only through records, the radio and journals. This indirect connection may explain the character that this music developed in such regions. With increasing popularity and a new stream of local tangos, the style’s re-embodiment gradually drifted away from the South American model. Poland, which had regained its independence after the Warsaw treaty of 1919, quickly became one of the capitals of European tango at a time when most of its musicians, both in the classical and the popular scenes, were Jewish.
~
Enjoy the show,
Leo

Tango Sureño


This dance is a Milonga danced to milonga music – a cousin of the Tango. Enjoy the sow!
“In a book published in 1883 Ventura Lynch, a noted contemporary student of the dances and folklore of Buenos Aires Province, noted the influence the Afro-Argentine dancers had on the “compadritos”, who apparently frequented the Afro-Argentine dance venues, “the milonga is danced only by the compadritos of the city, who have created it as a mockery of the dances the blacks hold in their own places”.
Milonga uses the same basic elements as Tango and requires a greater relaxation of legs and body. Movement is normally faster, and pauses are not made. It is rather a kind of rhythmic walking without complicated figures, with a much more “rustic” style than Tango”. {Source: Wikipedia}
~
Photography:
CB1985IFY – Palermo; Omar Guebel – Photos of La Boca :: http://www.flickr.com/photos/ohgg/collections/72157600270319242

Leo Bar :: http://www.flickr.com/photos/leobar-pixinmotion/ 
Music: Reliquias porteñas – Francisco Canaro – - (November 26, 1888 – December 14, 1964) Uruguayan violinist and tango orchestra leader.

 

 

Tango Poetico


This work is dedicated to all great Argentinian and Uruguayan writers and poets.

Music: Confianzas by Gotan Project Edited and remixed by Leo Bar
Subtitles and Translation: Leo Bar
Contains 2012 newsreel clips of protests in Buenos Aires
Photography: A Cabrera Esteve – http://www.flickr.com/photos/cabrera-esteve/; Fotografovolante – http://www.flickr.com/photos/ruggeroarena/; http://www.flickr.com/photos/simba_tango/; Leo Bar
Mario Benedetti Oil Sketch: Andre’ Cortellini
Digital Art and Paintings Leo Bar
Dancers: Sebastian Achaval and Roxana Suarez

Tango Predator


When I first listened to this music, it touched me in such a way that compelled me to produce this piece. The rhythmic nature, constant variation and counterpoint of violin versus bandoneon, makes this creation by Astor (The Master) Piazzolla a great example of tango and classical fusion.

To represent the sensuality, heat and desire projected by the music, I chose to use a large amount of paintings, blended with Astor’s orchestra and real tango dancers. At times they are superimposed and counterpointing, as the music does with the instruments.

I hope you enjoy this creation, whether or not you’re a tango fan, since it’s more of a classical composition.
Leo

~Music: Escualo (Shark) by Astor Piazzolla

~Paintings: R Young; Juarez Machado; Pol Ledent; Virgil Stevens

New York Faces 1950 – 60′s


This is one more chapter in the New York City vintage collection. It concentrates on capturing the faces and expressions of the average and not so average New Yorker. Several celebrities are caught in the act while posing for the camera. Also captured in their amazement are brand new immigrants from places around the globe.

The construction of this production started with the concept of pinning the Statue of Liberty as the centerpiece and “most recognized face” of NYC. From then on I used old films and a fair amount of Vivian Maier’s candid photographs that capture the human condition so well. Some images may be slightly distorted since they had to be reformatted to comply with the 16:9 wide format.

A look at some peculiar "faces" of New York in the 1950's decade.

This short piece contains street photographs taken by Vivian Maier, an American of French and Austro-Hungarian extraction, amateur photo-bug and nanny. The photographs were discovered in a thrift auction house on Chicago’s Northwest Side in 2007. She actually appears in one sequence, taking a self portrait against a mirror or window. Many of the scenes revolve around the Statue of Liberty, presenting very unusual angles and takes. There are also famous celebrities faces caught as they were doing "their thing".
Enjoy the ride,
Leo

Music: Cool – Dave Grusin Band
Leonard Bernstein, composer. Dave Grusin, arranger.
http://itunes.apple.com/us/album/dave-grusin-presents-west/id17768891
Photographs: Vivian Maier, Leo Bar
Paintings – Poster: Gil Elvgren
Vintage Film: New York Public Library, Library of Congress, Archive.org (all in the public domain)

Rapid eye movement


In this video I attempted to resurrect memories from last Summer. The story goes that more than a memory it represents fragments of a dream as remembered once I was fully awake. As with all dreams, some parts are clearer than others, and some segments are practically forgotten, while other are recurring.
Say what you want, but this was my dream, and I intend to keep it that way :-)

This video is using a transparent texture to represent the fuzzy and flawed dream/memory sequence.
All other credits are:

Music: Where sky meets sea – Kendra Springer :: jamendo.com/en/track/674460/where-sky-meets-sea :: Attribution-ShareAlike 3.0 Unported (CC BY-SA 3.0)
Texture used for mask :: flickr.com/photos/skeletalmess/ :: flickr.com/photos/skeletalmess/6687475371/in/set-72157625757841742 :: Attribution 2.0 Generic (CC BY 2.0)

Enjoy the journey – Z z z z z z

Leo

Pizzaiolo Pazzo – Mad Pizza Maker


Tempted for many years to create the best pizza Napoli can offer and not succeeding. Unfortunately my baking and dough preparation skills lack severely. So instead of making a pizza, I’ve concentrated in documenting the steps to achieve the perfect “Pizza Napoletana” as officially sanctioned by the Italian Department of Agriculture and the Associazione Vera Pizza Napoletana.

According to the rules proposed by the Associazione Vera Pizza Napoletana, the genuine Neapolitan pizza dough consists of wheat flour (type 0 or 00, or a mixture of both), natural Neapolitan yeast or brewer’s yeast, salt and water. For proper results, strong flour with high protein content (as used for bread-making rather than cakes) must be used. The dough must be kneaded by hand or with a low-speed mixer. After the rising process, the dough must be formed by hand without the help of a rolling pin or other machine, and may be no more than 3 millimetres (0.12 in) thick. The pizza must be baked for 60–90 seconds in a 485 °C (905 °F) stone oven with an oak-wood fire. When cooked, it should be crispy, tender and fragrant. There are three official variants: pizza marinara, which is made with tomato, garlic, oregano and extra virgin olive oil, pizza Margherita, made with tomato, sliced mozzarella, basil and extra-virgin olive oil, and pizza Margherita extra made with tomato, mozzarella from Campania in fillets, basil and extra virgin olive oil. The pizza napoletana is a Traditional Speciality Guaranteed (Specialità Tradizionale Garantita, STG) product in Europe.

The video was sped up by 30% to create a more dynamic feel. The selected music is a live performance of Funiculì, Funiculà by the famous three tenors José Carreras, Placido Domingo and Luciano Pavarotti, directed by Zubin Mehta.

In 1889, during a visit to Naples, Queen Margherita of Italy was served a pizza resembling the colors of the Italian flag, red (tomato), white (mozzarella) and green (basil). This kind of pizza has been named after the Queen as Pizza Margherita, as shown in this video.

Lyrics for Funiculì, Funiculà:

Yesterday evening, O Nannina [short for Carolina], I climbed up,
Do you know where?
To where an ungrateful heart can no longer vex me!
Where a fire is burning, but if you flee
It lets you be.
It doesn’t chase you, doesn’t melt you, with just one glance!
Let’s go, let’s go, let’s go to the top,
Let’s go, let’s go, let’s go to the top,
Funiculì, funiculà, funiculì, funiculà!
Let’s go to the top, Funiculì, funiculà!

Let’s go from here below up to the mountain, O Nannina, a step away!
You can see France, Procida, and Spain,
And I see you!
You rise, pulled by a cable, quick as a wink
into the sky.
We’ll rise up like a whirlwind all of a sudden knows how to do!
Let’s go, let’s go, let’s go to the top,
Let’s go, let’s go, let’s go to the top,
Funiculì, funiculà, funiculì, funiculà!
Let’s go to the top, Funiculì, funiculà!

My head is spinning, O Nannina, It’s gone up there already!
It went there, spun ’round, and then returned:
It’s always here!
My head is spinning, spinning,
Encircling you!
This heart of mine is always singing
the same refrain:
“Marry me, O Nannina”!
Let’s go, let’s go, let’s go to the top,
Let’s go, let’s go, let’s go to the top,
Funiculì, funiculà, funiculì, funiculà!
Let’s go to the top, Funiculì, funiculà!

Enjoy the the show and Buon Appetito!

Leo